Calendar

Sep
13
Wed
2017
World Day of Prayer @ Unity Village
Sep 13 @ 4:45 pm – Sep 14 @ 6:00 pm

Please join us at Unity Village for the 24th annual Unity World Day of Prayer!

Weds, Sept 13:
* 7-8:30pm Opening Service in the Activities Center with keynote by Rev. Linda Martella-Whitsett. Music by Jana Stanfield. A candlelight walk to the Silent Unity Chapel will follow to open the 24-hour prayer vigil.
* 8:45pm Reception at Unity Banquet and Dining.

Thurs, Sept 14:
* 7:30-9am Interfaith Prayer Breakfast at Unity Banquet and Dining – In Person & Live Online.
* 11am Silent Unity Prayer Service in Activities Center – In Person & Live Online.
* 1:30pm Sacred Circle prayer experience in the central courtyard by flagpole
* 2:30-3:30 Sound Immersion (Gongs) in Activities Center – In Person & Live Online
* 3:30-5pm Art Gallery opening and Poetry Reading behind the bookstore.
* 4-6pm Open House for Unity Worldwide Ministries in Unity Education Building.
* 7-8pm Inspirational Concert by Jana Stanfield and closing celebration – In Person & Live Online.
* 8pm Closing of the 24-hour prayer vigil in the Silent Unity Chapel.

All events are free and open to the public. No registration required.
Donations gratefully accepted.

Mar
7
Wed
2018
Healing Through Music on Int’l Women’s Day with Charter for Compassion Partner WonHeart @ Allan Hancock College Student Center
Mar 7 @ 12:00 pm – 1:30 pm
Healing Through Music on Int'l Women's Day with Charter for Compassion Partner WonHeart @ Allan Hancock College Student Center

March 7th 12:00 PM – 1:30
WonHeart’s Joelyn Lutz of Healing Through Music
will participate in the 7th Int’l Women’s Day Event and share her level of healing and calmness for more ease and joy in life at the, at Allan Hancock College Student Center in Santa Maria, Ca

Mar
8
Thu
2018
Celebrating Int’l Women’s Day Live Streamed From The Christ Church New Zealand @ Christ Church
Mar 8 @ 7:00 pm – 9:00 pm
Celebrating Int'l Women's Day Live Streamed From The Christ Church New Zealand @ Christ Church

Live Streamed from the Christchurch New Zealand, part of a live stream from our Capital in Wellington,
Organized by Port Hills Labour and Greens, 40 years after women in NZ won the right to vote, Elizabeth McCombs was elected as the first woman MP. She stood in Lyttelton, now Port Hills Electrate.

Mar
9
Sat
2019
The Alchemy of Women and Girls Collective Wisdom and Power @ Henry Street Settlement
Mar 9 @ 9:00 am – 1:00 pm
The Alchemy of Women and Girls Collective Wisdom and Power @ Henry Street Settlement

Women and Girls Only are invited to attend this Power-Full gathering at the historic Henry Street Settlement. Together we will be led in dialogue in the wisdom of sacred listening, the power of our body, and anchoring our voice and our power. Bridging the March 8th Int’l Day of Women and the Opening Forum of the United Nations Commission on The Status of Women.

Sep
24
Tue
2019
MFM Presents: “Make Music Your Business” #9 Workshop with Ken Hatfield @ WingSpan Arts
Sep 24 all-day
MFM Presents: “Make Music Your Business” #9 Workshop with Ken Hatfield @ WingSpan Arts

Ken Hatfield Speaking About Copyright – legally protecting your creations. Understanding, securing and defending the most fundamental of all artists’ rights.

Date: Tuesday, September 24th, 2019
Time: 7pm to 8:30pm
Venue: Wingspan Arts (Film Center Building, 630 9th Ave, between 44 & 45 St., Suite 602, NY, NY 10036)
Ticket: $15 Buy ticket here: https://www.eventbrite.com/e/mfm-pres-make-music-your-business-9-workshop-w-ken-hatfield-tickets-72301472651.

No refund.

Seating: limited (up to 25 seats)

“What finally turned me into an activist for artists’ rights was the realization that no musician can afford to sit on the sidelines expecting others to fight for rights we ourselves are unwilling to defend.” Ken Hatfield

MFM Advisory Committee member Ken Hatfield will discuss what copyright is, its origins, its importance and why giant tech corporations are funding Astroturf campaigns to undermine it. He will also cover what individual artists need to do to secure and protect the ownership rights of their music under the recently passed Music Modernization Act (MMA).

About Ken Hatfield: the musician, author and activist

A leading proponent of jazz played on the classical guitar, composer KEN HATFIELD received ASCAP‘s prestigious Vanguard Award in 2006 for “innovative and distinctive music that is charting new directions in jazz.”

Ken’s the leader on 10 commercially released CDs, 9 featuring him performing his original compositions, as a soloist or with his ensembles. He’s published six books of his compositions. In 2005 Mel Bay published his comprehensive instructional book Jazz and the Classical Guitar: Theory and Application and in 2017 included two of his compositions in Contemporary Guitar Composers of the Americas.

Ken’s compositional experience ranges from jazz works for his own ensembles, to solo classical guitar works, choral works, and ballet scores for Judith Jamison, The Washington Ballet Company, and the Maurice Béjart Ballet Company, as well as scores for television and film, including Eugene Richards’ award-winning documentary but, the day came.

Ken continues to lead his own ensembles and be an in-demand sideman. In recent years he has also become an artist rights activist, serving as co-chair of the Artist Rights Caucus of Local 802 and as a member of the Advisory Committee of Musicians for Musicians (MFM). In April 2019 he participated in the United States Copyright Office’s fifth and final roundtable on reform of section 512 of the Digital Millennium Copyright Act.

About MFM

MFM seeks to bring together musicians from all disciplines, styles, traditions and localities in the cause of their mutual self-betterment. Whether through education, networking or political action, MFM’s ultimate goal is to elevate the work of all musicians to the level of a true profession, one which is recognized and appropriately rewarded by the society in which they live and work. MFM additionally advocates for the creation and maintenance of a fair and sustainable musical ecosystem, one in which participants share equitably in all forms of revenue generated by their work product, whether composed, recorded, or performed live. In the final analysis, we seek to promote all conditions which benefit the musicians’ community and the music created by it, while opposing all those which do them harm.”

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